Recent Venezuelan cinema is increasingly focusing on the impact of natural disasters, particularly the 1999 La Guaira landslide. This event has served as significant inspiration for filmmakers in recent years. However, some critics argue that Venezuelan cinema has historically avoided directly addressing the challenges posed by natural events. The increased attention to these tragedies reflects a growing willingness to examine national trauma. This cinematic exploration seeks to portray the wounds inflicted by such events. The rise in films addressing these issues marks a potential shift in the national film industry's focus, opening a space for reflection and dialogue. The original article appeared in EL NACIONAL.