A Danish musician, Kim Ingemann, has sharply criticized Mitchel Oliver’s recently published “power manual” for right-wing adherents. Ingemann alleges the manual relies on outdated and discredited ideas rooted in fascist thought. He suggests Oliver sourced these concepts from the “historical junkyard,” implying a reliance on dangerous and obsolete ideologies. The critique centers on what Ingemann perceives as a troubling resonance between the manual's content and the hallmarks of fascism. He doesn’t detail specific examples, but frames the work as a revival of harmful political concepts. The accusation raises concerns about the intellectual foundations and potential impact of Oliver's work within Danish right-wing circles and beyond. This critique positions the manual as more than simply a political guide, but as a potentially dangerous echo of past extremism.