Yuta Shimotsu’s latest film, a follow-up to his previous work, presents grand concepts but falters in its execution. The film utilizes striking imagery, such as human pyramids and gymnastic formations, which serve as symbolic representations of underlying instability. While the movie aims for significant thematic depth, critics suggest it overextends itself. The narrative attempts to tackle complex ideas but doesn’t fully coalesce, leaving the overall impact somewhat diminished. Despite its ambitious scope, the film’s foundations appear unsteady, hindering its ability to fully realize its vision. The movie’s artistic choices, while visually interesting, don’t entirely translate into a cohesive and satisfying cinematic experience.