Sheng-mei Ma’s analysis interprets the 2004 film *Splendid Float* as a representation of Taiwan’s complex political and cultural identity. The film utilizes the story of a performer who lives as both a drag queen and a Taoist priest to examine themes of belonging and national ambiguity. It connects gender fluidity and queer performance with traditional Taiwanese funeral rituals. *Splendid Float* portrays Taiwan as a “ghost island,” reflecting its marginalized position on the world stage. The article suggests the film explores feelings of loss and otherness inherent in Taiwan’s uncertain status. Ultimately, the work uses allegory to delve into the island’s precarious sense of self.