Sheng-mei Ma argues that the 2025 film *Left-Handed Girl* offers a critique of patriarchal structures within Taiwanese society. The film utilizes elements of Taiwanese subculture – specifically night markets and betel nut culture – alongside the social stigma associated with left-handedness to explore themes of oppression. It centers on a multigenerational family drama focusing on the resilience of women and how patriarchal power is maintained through both male and female participation. *Left-Handed Girl* examines inherited social hierarchies and cultural prejudices. The film ultimately envisions a restored matrilineal connection as a means of challenging these established norms. The analysis suggests the film provides a nuanced perspective on power dynamics and societal expectations in Taiwan.