This article, published on Kapitalis, examines the complex media journey of Algerian author Boualem Sansal and raises questions about the relationship between literature, power, and political manipulation. The piece, titled "Citron pressé | Boualem Sansal ou l’arroseur arrosé", explores how Sansal himself has become subject to the very political forces he often critiques in his writing. It suggests a situation where those who speak out against power structures find themselves ironically utilized within them. The article implicitly analyzes the potential for authors to be instrumentalized for political gain. Kapitalis frames this as a case of “the sprayer being sprayed,” highlighting the author’s predicament. Ultimately, the text investigates the challenges faced by intellectuals navigating the intersection of art and politics in Algeria.