A collaborative curatorial practice is reshaping museums, evolving them into active spaces for indigenous knowledge and cultural recovery. The work focuses on the Amis communities of Taiwan, specifically those spanning from ’Atolan to Keelung. These projects actively address and navigate existing sociopolitical tensions within these communities. A key aim is to challenge and break down the traditional separation between ancestral homelands and the spaces inhabited by Amis migrants in urban areas. This approach facilitates knowledge translation and empowers indigenous voices within museum settings. The article highlights how this collaborative model fosters a dynamic exchange and reinterpretation of cultural heritage. Ultimately, it demonstrates the potential for museums to become platforms for indigenous self-representation and revitalization.