A new column by Rodolfo Acevedo explores Tomás Gutiérrez Alea’s seminal 1976 film, “The Last Supper.” The piece, published on Lima Gris, offers a fresh look at the Cuban classic. Details regarding the column’s specific arguments and analysis are not provided in the source text. However, the publication signals renewed interest in Alea’s work. “The Last Supper” is widely considered a landmark achievement in Cuban cinema, known for its satirical commentary on societal values. Acevedo’s column suggests a re-evaluation or deeper understanding of this important cultural work is now available to readers of Lima Gris. The column's appearance highlights the film’s continuing significance and relevance.