The Bayreuth Festival is showcasing a production of “Rheingold” with a stage design conceived by artificial intelligence. The experiment, part of the festival’s anniversary celebration, has sparked considerable controversy and a negative reaction from audiences. Reports indicate audible booing during the performance, signaling audience dissatisfaction with the AI-generated visuals. The production aims to explore the potential – and limitations – of AI in artistic creation, specifically within the context of Wagnerian opera. This marks a notable intersection of technology and traditional art forms at one of the world’s most prestigious music festivals. The festival’s decision invites discussion on the role of human creativity versus algorithmic design in the future of stage productions. The use of AI has undeniably created irritation amongst attendees, raising questions about artistic authenticity.